Showing posts with label Middle Ages. Show all posts
Showing posts with label Middle Ages. Show all posts

Tuesday, December 01, 2015

St. Clare's Preternatural Pebble Pick

Reading the processus document for Saint Clare of Assisi, I happened upon one of the more interesting miracle stories I've ever read. According to one witness, a nun who had lived in the same monastery with Clare for many years, "a young boy of the city of Spoleto, Mattiolo, three or four years old, had put a small pebble up one of the nostrils of his nose, so it could in no way be extricated. The young boy seemed to be in danger. After he was brought to Saint Clare and she made the sign of the cross over him, that pebble immediately fell from his nose. The young boy was cured."

The Lady: Clare of Assisi: Early Documents, edited and translated by Regis J. Armstrong (New York: New City Press, 2006), 154.

Wednesday, October 28, 2015

A Long Lost Life of Pope Gregory I

The Earliest Life of Gregory the Great: By an Anonymous Monk of Whitby, translated by Bertram Colgrave. Lawrence: University of Kansas Press, 1968. Pp. ix, 180.

Born in Ireland in 1889, Bertram Colgrave died at Cambridge, England in 1968, the year this book was published. Much of his academic career was focused on the production of facsimiles and critical editions of the lives of saints. For many years, he served as founding editor-in-chief of the series titled Early English Manuscripts in Facsimile.

In The Earliest Life of Gregory the Great, Colgrave's "Introduction" takes up the biggest share of the book (1-70). It includes a section on the world into which the anonymous writer was born, a brief critical biography of Gregory the Great, and helpful information about the history of the Benedictine double monastery at Whitby, home to our author. Regarding date, Colgrave argues that the Whitby writer produced his work sometime between 704 and 714, and that traditions about Gregory that circulated at the monastery represent the writer's primary source, along with a "saga tradition" that likely came from Canterbury.

The Whitby writer also knows the Bible, which he quotes or echoes quite often. Colgrave tells us that although our anonymous monk could tell a pretty good story, he is no Latin stylist. In fact, at a number of points in the text the translator has a hard time knowing what the author was trying to say. Colgrave takes up the question of a possible relationship between the writings of Bede and the work produced by the Whitby writer, and concludes that there is no literary connection between the two. He explains that once Bede had finished his Ecclesiastical History of the English People, it immediately overshadowed the work of the Whitby writer, which fell into obscurity. In the modern era, no complete text of the work was issued until 1904.

Next, Colgrave presents the Latin text and his own translation of the work as one would find in the Loeb Classical Library: the original appears on the left side of an opening with the translation on the right (71-139). As the reader discovers, while some of the stories in this life are a bit pedestrian, the Whitby writer is able to include a few entertaining episodes connected to Gregory. For example, once he was identified as the next Pope, Gregory resisted by hiding, going so far as to hire a few local merchants who carried him out of the city in a casket (ch. 7). Above all, and throughout, the writer celebrates Gregory's devotion to the English people. It was by Gregory's distant influence that England became subject and devoted to the authority of the Roman Church.

The text and translation are followed by an impressive set of "Notes" (140-65) and a "Select Bibliography" (166-67), which supplements the works found in Colgrave's list of "Abbreviations" (viii-ix). The "Appendix" is essentially an index of biblical and other ancient sources that the Whitby writer quotes, or to which he alludes. This part of the book would be especially helpful to students who want to investigate the writer's handling of Scripture, or his knowledge and use of the patristic tradition. A good "Index" of places, names, and topics concludes the book (173-80).

Colgrave's work is the ideal, self-contained study of this particular life. Since its publication, it has no doubt raised scholars' awareness and use of this significant document from the eighth century. The work of the anonymous Whitby writer, with apparently no hagiographical sources behind it, provides a good contrast to Bede's Ecclesiastical History, which, in terms of sources, falls at the opposite end of the spectrum.

After reading this fine study, I still have one question: Why is it that "the earliest life of Gregory the Great" was written at least a century after he died?

Tuesday, October 27, 2015

What Were Byzantine Icons Up To?

Mosaic icon of St. John Chrysostom

Henry Maguire, The Icons of Their Bodies: Saints and their Images in Byzantium. Princeton, NJ: Princeton University Press, 1996. Pp. xviii, 222.

A longtime associate of the Dumbarton Oaks Research Library and Collection in Washington, D.C., Henry Maguire is an expert in Byzantine art, literature, and culture. The Icons of Their Bodies, one of his many works, is a satisfying study of Byzantine sacred iconography. The book is written at a level suitable for the novice and is richly illustrated by 167 black-and-white figures.

In his "Introduction," Maguire states that his goal is "to analyze the logic of the saint's image in Byzantium, not from the perspective of a social historian but from that of an art historian. In other words," he says, "it is my main intention to discuss not the role that icons had in Byzantine society but rather the role that society had in the design of icons" (3).

In Chapter 1, "Likeness and Definition," Maguire raises and responds to basic questions like, Did Byzantine artists really know what a particular saint looked like? If so, how did they know? And, why do the saints in Byzantine art look more like caricatures than photographs to us moderns? He answers that people of the Middle Ages were not so naive or unsophisticated that they simply could not produce what moderns would call a genuine likeness, an impression of reality that artists call illusion. Instead, what Byzantine artists succeeded in producing was an impression that would be easily recognized.

In Chapter 2, "Corporality and Immateriality," Maguire begins by noting the differences between typical depictions of soldiers and monks who were saints. While soldiers appear to swagger, monks face the viewer full on, and seem much more two-dimensional. The author asserts that such differences are the result of design. In short, the icons are calculated to communicate that, while the lives of soldiers are filled with action, the lives of monks are pretty straightforward and flat. In this way, he proceeds to discuss the images of ascetics and bishops, evangelists, apostles, and the Virgin Mary. Throughout, his argument is that the nature and activities of different kinds of saints were communicated by their icons through varying "degrees of corporality, motion, and emotive response" (65).

Chapter 3, "Naming and Individuality," sets out to explain how and why Byzantine images differed before and after the Iconoclastic Controversy of the eighth and ninth centuries. According to Maguire, works of art before iconoclasm sometimes depicted the same saint numerous times and lacked inscriptions. By contrast, following the controversy, in the artistic period known as Middle Byzantine, icons appear to be standardized and included inscriptions. The author attributes these changes to church authorities who feared that many people connected the older images to popular magic. In short, change occurred at least in part because the church reacted against heresy and extra-ecclesial power.

The argument of Chapter 4, "Detail and Deficiency," is similar to that of the second chapter. Here, Maguire compares the "visual narratives of the saints," specifically, Saints Nicolas and George, with portrayals of the Virgin and of Christ. While the depictions of the two saints' lives are relatively spare, more abstract, those of Christ highlight both his "special divine status" and "his human nature." The status of the Virgin seems to fall somewhere in between. Although a unique person, compared to Christ, she is depicted in ways that are "more detailed and earthbound" (193-94). Again, the point is that the nature and function of the saints and, in this case, the Virgin and the Christ, strongly influence the ways in which they are depicted.

In a brief, "Conclusion," Maguire provides an overview of his book, and emphasizes that understanding and analyzing the "formal values" of Byzantine art represent the key to understanding it and its reception (199).

The Icons of their Bodies is characterized by simple, straightforward language accompanied by interesting, illuminating figures. This is the way that art history should be communicated.

Wednesday, July 02, 2014

Abstract of M.E. Aston article about Lollards

Aston, Margaret E. "Lollardy and Sedition 1381-1431." Past & Present 17 (April 1960): 1-44.

Aston summarizes the main point of this fine, substantial article in her first paragraph: "Before 1381, though the English governing classes had encountered heretics as well as rebels against society, they had never had to deal with either on a large or concerted scale. By the end of May 1382 both had been on their hands, and heresy (in the event) had come to stay.  . . . A heretical movement and a major upheaval among the lower orders of society had arrived, in point of time, together" (1). Having detailed the political aspects of early Lollard history, Aston concludes: "This is not, at all, to deny that there was, throughout, a very genuine alarm for the salvation of souls, and concern for the maintenance of the orthodox faith; nor to say that this aspect of the Lollard movement was not, and is not, the first to be considered. But the nature of the heresy, of the society in which it spread, and of the government which had to deal with it, were such that its religious implications could not be considered alone. And other happenings of this period ensured that they were not. Sedition and dissent had come of age together" (35-36).

Tuesday, March 30, 2010

John Wyclif and the Origins of Lollardy

A little something on Wyclif and the Lollards that might become a section of a simple book on church history someday:

Lollardy (sometimes spelled Lollardie) was the name given to an English heretical movement that began near the end of the fourteenth century. Its origins can be traced back to the teaching, preaching, the personal network and, above all, the writings of John Wyclif. [1]

We don't know when Wyclif was born, but it was likely sometime in the mid-1320s, near Richmond in the northern county of Yorkshire. Ordained a priest in September 1351, he spent most of his adult life at Oxford. He was a steward at Merton College in 1356, and a master at Balliol College by December 1360. He received the doctorate in theology in either 1372 or 1373. By all accounts, he possessed a tremendous mind and capacity for work. He was, in the words of Knighton, “second to no one, unequalled in the disciplines of the schools.” [2]

In his early writings, Wyclif made an argument for the disendowment of clerics who were in mortal sin. In that state, he said, they had no divine right to position and power. This, of course, made him popular with the devout clergy who agreed with him. Most of all, it made him popular with the Crown.

Early on, he had a benefactor in John of Gaunt, Duke of Lancaster. It was primarily the Duke's influence that led to Wyclif’s entry into royal service as a sort of schooled advocate who could help to undermine church privilege and the authority of the Pope. During those years, Wyclif stayed busy writing and preaching.

On May 22, 1377, Gregory XI issued five papal bulls condemning the views of Wyclif. Detained for a time at Oxford, he was soon released due to popular support there. In later skirmishes with Archbishop Sudbury and his successor, William Courtenay, Wyclif was protected by the likes of Gaunt and, on at least one occasion, Joan of Kent, mother of King Richard II.

By the late 1370s, however, Wyclif was doing more than simply attacking the abuses and the wealth of the church. Most significantly, he dismissed the orthodox, traditional understanding of the real presence of Christ in the Eucharist. In short, he denied the doctrine of transubstantiation. As a result, in May of 1381, William Barton, chancellor of Oxford, presided over a committee that condemned such heresy, though without specifically naming Wyclif. Then, on June 13, 1381—Corpus Christi day—peasant rebels, angry over an attempt to freeze wages, came to the outskirts of London and entered the city. [3]  During three days of mayhem, they killed Simon Sudbury, the Archbishop of Canterbury. In his De blasphemia, Wyclif wrote about the revolt. Although he never accepted even an indirect contribution to the catastrophe, chroniclers of the day did not agree; they saw a connection between public sentiment and Wyclif's influence. By then, Wyclif was no longer looked on as an interesting and useful radical, but more as a dangerous and loathsome heretic. He could no longer count on the critical support of some of the clergy and aristocracy, and by October 1381 he had retreated to his out-of-the-way parish in Lutterworth where he died at Mass on the last day of 1384.

The period in which Wyclif wrote his more-popular works and led a public life had lasted hardly more than a decade. But he left behind a large number of books and treatises, in English as well as in Latin, and not a few personal associates who were still at Oxford or who had since gone out from there, providing leadership for the group now known as the Lollards.
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[1] Here I depend heavily upon Anne Hudson and Anthony Kenny, “Wyclif [Wycliffe], John," in Oxford Dictionary of National Biography, ed. H. C. G. Matthew and Brian Harrison (Oxford: Oxford University Press, 2004), 60: 616-30.

[2] According to Steven Justice, “Lollardy,” in Cambridge History of Medieval English Literature (Cambridge: University Press, 1999), 663, n. 3, where the author cites Knighton, Chronicon, edited by Lumby, vol. II, 151.

[3] Norman F. Cantor, The English: A History of Politics and Society to 1760 (New York: Simon and Schuster, 1967), 253-54.

Sunday, June 28, 2009

John Calvin and the Executions of Heretics

Benjamin and Abigail fly in to Oklahoma City tomorrow. I can't wait to pick them up and bring them to Amarillo!
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The last post mentions that John Calvin is most-often remembered for advancing the doctrine of double predestination. The one other thing people typically remember about Calvin is that, like most every other leader of his day, he gave his consent to the executions of public heretics, most notably Michael Servetus.

Here's my take on that. I think it reveals not so much a fault in Calvin. Instead, it points to the difference in values between modern America and sixteenth-century Europe.

In recent history, our country has used atomic bombs to annihilate two Japanese cities. Why? Because we feared the specter of a conventional invasion and viewed our actions as the lesser of two evils. People of the Middle Ages had different fears. As historian T. H. L. Parker explains, they were terrified at the thought of souls destroyed by false doctrine, of churches torn apart into factions, and of the vengeance of God brought against them in war, pestilence, and famine. They believed it was the government’s duty to establish and maintain true religion, and that the execution of a heretic was therefore justified. The Reformation was born into that world.

Am I'm going too easy on Calvin?