Spreading the Lord's Table: History of an Idiom (1)

Whatever the source of the idiom, British hymn writers popularized the language of "spreading the Lord's table" as a reference to preparing and serving the Lord's Supper. A number of hymns contain this language, including two by Isaac Watts (1674-1748), a nonconformist minister and one of the greatest of all composers of English hymns. "Jesus is Gone Above the Skies" expresses the greatness of the exalted Christ and refers to the experiences and the hope of his followers. In the third of six stanzas, worshipers sing,

The Lord of life this table spread,

With his own flesh and dying blood;

We on the rich provision feed,

And drink the wine, and bless our God. 

The song appears in at least six Stone-Campbell hymnals of the nineteenth century.[1]

Watts also composed "How Sweet and Awful is the Place," clearly in an age when awful did not mean what it means now. The hymn highlights the experiences of the gathered church, including their observance of the Lord's Supper:

Here every bowel of our Lord,

With soft compassion rolls; 

Here the new cov'in his blood 

Is food for dying souls,

While all our hearts and all our songs

Join to admire the feast

Each of us cry, with thankful tongues,

"Lord, why was I a guest."

"Why was I made to hear thy voice,

"And enter while there's room;

"When thousands make a wretched choice,

"And rather starve than come?

'Twas the same love that spread the feast,

That sweetly drew us in.

Else we had still refus'd to taste,

And perished in our sin.

The song appears in the 1815 and 1829 editions of The Christian Hymn-Book. Above all, Philip Doddridge (1702-1751), an important Independent minister, writer, and educator, composed a hymn titled "The King of heaven His table spreads." The first stanza reads:

The king of heaven his table spreads, 

And dainties crown the board;

Nor paradise with all its joys,

Could such delight afford. 

The final stanza calls believers to participate:

All things are ready, come away,

Nor weak excuses frame;

Crowd to your places at the feast,

And bless the founder's name."[2]

In time, this song would appear in dozens of hymnals, including no fewer than eleven published by adherents of the Stone-Campbell Restoration Movement during the nineteenth century.[3] Naturally, the language of hymns like this one made its way into the common speech of people who sang them.

Notes

[1] The Christian Hymn-Book (1815); A Selection of Christian Hymns (1818); The Christian Hymn-Book (1829); Psalms Hymns and Spiritual Songs (1843); Psalms Hymns and Spiritual Songs (1853); and Fillmore's Christian Psaltery (1867).

[2] This wording appears in The Christian Hymn-Book, 3rd ed. (Cincinnati: Looker and Wallace, 1815), 167-68, hymn number 187.

[3] The Christian Hymn-Book (1815), A Selection of Christian Hymns (1818), The Christian Hymn-Book (1829), Psalms Hymns and Spiritual Songs (1834), Christian Psalms and Hymns (1839), Psalms Hymns and Spiritual Songs (1843), The Sacred Melodeon (1848), The Christian Psalmist (1850), Psalms Hymns and Spiritual Songs (1853), The Christian Hymn Book (1865), The Christian Hymnal: Revised (1882).